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Original Phalanx

SIDE A

Song Number One (James Blood Ulmer, A.R.P. Productions-ASCAP) (7:30)
Free Spirit (Sirone, Sirious Music-BMI) (7:10)
House on 13th Street (George Adams, Geada Music-BMI) (6:10)

SIDE B

Troublemaker (James Blood Ulmer, A.R.P. Productions-ASCAP) (8:10)
Angel Love (Sirone, Sirious Music-BMI)  (8:55)
Playground (George Adams, Geada Music-BMI) (6:30)

George Adams_tenor saxophone, flute
James Blood Ulmer_guitar
Sirone_bass
Rashied Ali_drums

Recorded at Sound Ideas, NYC on February 13 & 14  1987
Recorded and Mixed “Live” to 2-track Digital by David Baker & Kazunori Sugiyama
Assistant Engineer: Craig Winzelberg
Assistant: Takeshi Matsuura & Ken Awazu
Produced by Kazunori Sugiyama for DIW
Executive Producer: disk union
Cover Photography: Ming Smith Murray
George Adams and James Blood Ulmer appear courtesy of Blue Note / Manhattan Records

Distributed by disk union

p © DIW 1987
DIW-8013

Extracted from the original vinyl record.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Yankees

yankees-back

SIDE A City City City (8:22) The Legend of Enos Slaughter (9:17) Who’s on First (2:56) SIDE B On Golden Pond (18:00) The Warning Track (5:28) Derek Bailey_acoustic and electric guitars George Lewis_trombone John Zorn_alto,soprano sax, clarinets, game calls Recorded at OAO studio, Brooklyn NY by Martin Bisi Mastered by Howie Weinberg, Masterdisk NYC Artwork [...]

The Cecil Taylor Unit / Live in Vienna

CTU-A_liner

SIDE A SIDE B SIDE C SIDE D Cecil Taylor_piano/poetry Carlos Ward_reeds Willian Parker_bass Leroy Jenkins_violin Thurman Barker_marimba/drums/voice Music by Cecil Taylor Published by Unit Core Music Corp./BMI Still Life Photography by Andy Cleal Recorded Live in Vienna  7 november 1987 Sleeve Design by Michael Bennion Remastering by Alan Mosley Produced by Leo Feigin Special [...]

Pierre Schaeffer’s Etude Noir

etude-noir-cover

“Etude Noire” is an early composition by musique concrete composer Pierre Schaeffer. Schaeffer is one of the fathers of the Musique Concrete movement in the late 1940s and therefore of much of the experimental music of the 20th Century. Musique Concrete is a form of  music that utilises acousmatic sound  as a compositional resource. Extracted from a cassette tape [...]